Esquina Líneas

Entre Líneas explores the space between line and silence, where meaning emerges through tension, rhythm, and layered absence. Moving between the visible and the unspoken, the work invites a slower gaze, allowing perception itself to complete the image..

Esquina Líneas

My art begins where everything begins: with a single line. From one movement, form emerges, from form, identity is born and from identity, a story unfolds.

My face is my signature logo that constant travels through different artistic movements and continuously reinvents itself.

Esquina Neocubisma

In this series I further extend my "Líneas" into a contemporary form of neo cubism, where lines and planes evolve into portraits. The female figures evoke the timeless icons of a bygone era, translated into a modern geometric visual language. 

Esquina Efímera

Esquina Efímera, impermanence is not treated as loss, but as condition: the work exists in transition, questioning the idea that art must endure physically in order to retain meaning or value. Esquina Efímera reflects on temporary presence.

Esquina Residual

I photograph like a painter, capturing places where paint, walls and traces of the city reveal to me how beauty slowly fades away. Within that transience, the fragility of time becomes visible.

Esquina Incomplet

Identity never appears whole, only in fragments. What is missing is that it is never finished. Figures emerge, dissolve and return as traces in the search for identity. The incomplete remains and is identity itself.

Esquina Silencio

Silence, emptiness and simplicity are central. Within this movement, it is not about spectacle or perfection, but about atmosphere, slowness and the power of absence. Through minimal imagery, soft colors, and open spaces, art emerges that is meant to be felt more than explained.

Esquina Anti Pictórico

Dismantles the traditional painting.
Canvas, frame and paint are separated, allowing painting to exist beyond the closed and commercial art object.

The work shifts from image to presence.
What remains is the essence of painting, without the painting itself.